My commentary tends to be focused around critique of the music, while Don has tons of expert knowledge about the music’s origins, having interacted with many of the musicians who worked on these albums. The man who introduced me to the quality of music from CAVE, Don Kotowski, joined me in a 3-hour audio recording wherein we listen to two songs from each album and give our commentary. I completed this project earlier this year.Īnd now, even as I face the dreaded possibility of having to sell that very collection, I was able to glean so much knowledge and enjoy so much great music from a bevy of amazing Japanese composers. In 2011, I started an ambitious project: to collect every audio CD published by the developer/publisher CAVE ( Deathsmiles, Dodonpachi, Espgaluda, Mushihimesama, etc). The recently launched Kickstarter for the indie rogue-like adventure game Death Story by Team Neko features a stretch goal which would bring Sakimoto and Iwata on to compose the main theme for the game, so fans can contribute to see to it the game receives a fantastic contributing score.ĭon’t be surprised if you see Basiscape’s name continue to pop up in the near future, so keep an eye out for Sakimoto and his team on upcoming titles! However, they’ve been making the rounds on the indie game music scene recently.
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Valkyria Chronicles Original Soundtrack was recently released in its full orchestral glory as well. Grand Kingdom will also see its soundtrack released on June 23rd by Basiscape and composer Mitsuhiro Kaneda. The mobile game Metal Saga: The Ark of Wastes, the fifth game in the Metal Max series, was composed by Basiscape and Yoshimi Kudo ( Tekken 6). The group has been responsible for a huge amount of video game soundtracks over the course of the past decade, including Odin Sphere, Muramasa: The Demon Blade, Dragon’s Crown and more. With our artists and staff carrying out projects of any scope and size, Basiscape delivers the utmost excellence in quality and creativity, while keeping with the usual tight deadlines of the industry. Sakimoto created the group, along with Masaharu Iwata ( Ogre Battle, Final Fantasy Tactics) and Manabu Namiki ( Bloody Roar, Contra ReBirth)īasiscape provides complete sound and music production services for all digital mediums including video games, television series, film and television commercials. The group is comprised of nine composers and sound designers and headed by Hitoshi Sakimoto ( Final Fantasy XII, Valkyria Chronicles). The course closes with essential tips to help you with your orchestration studies.If you’re not a guru of the Japanese game music scene, then you might not yet heard of the group Basiscape. You will learn why the bassoon is much more than just a bass instrument for the wind section. In the next section, Thomas covers every member of the lowest standard woodwind family, the bassoon and contrabassoon. You learn about the history and characteristics of the soprano, alto, tenor and baritone saxophones, and you discover how they differ from other wind instruments. Next, Thomas takes a detailed look at an occasional (but very significant) addition to the wind section: the saxophones. The course begins with a complete look at the clarinet family, including the A and B-flat clarinets, the bass clarinet, the E-flat clarinet, the bass horn and the contrabass clarinet. This course will teach you everything an orchestrator needs to know about these instruments, including their range, technique, and the role they play in the orchestra. Now that you’ve mastered the upper winds in the Orchestration 103 course, it’s time to move to the clarinets, bassoons and saxophones.
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Continue your studies of the wind section with professional orchestrator and instructor Thomas Goss! This orchestral wind course takes an in-depth look at the individual members of the clarinet, bassoon and saxophone families. Ask Video Orchestration 104 Clarinets, Saxophones and Bassoons TUTORiAL